![]() “Right now, some of the episodes are blurring into each other!” he laughed. “‘Paint It Black’ happens during a really big action scene, and it has all these great ups and downs - the shooting, the talking - and so I bring it down and then back up a bit, which was a lot of fun to arrange for the orchestra.”Īt the moment, Djawadi is continuing to write and arrange the music for the final episodes, but as Westworld’s season progresses, he’ll return to be Vulture’s guide to the music used in the show, following each episode. “What’s so great about using these pieces instead of the score is that they are known melodies, which enhances the idea that this is all scripted,” Djawadi said. Even if a guest tries to become immersed in this world, the music will undermine it. “You get the great shot of the player spinning up, and then the shot of Teddy in the train starting up again, and you get the theme each time he walks into the saloon.”īut at other times in the loop, the player piano starts to play a reduction of “Black Hole Sun,” or lead into an orchestral version of “Paint It Black,” which underscores the unsettling truth about the saloon and the park - it’s not the Wild West, but a re-creation of it. (Although, in actuality, by Westworld’s showrunner, Jonathan Nolan.) Sometimes, as in the show’s premiere episode, the player piano will repeat the show’s theme, just as the other robotic hosts repeat scripted dialogue on their narrative loops. The player piano itself is a kind of robot, playing songs on demand at preprogrammed moments, presumably controlled by the humans at command central. “It’s a Western theme park, and yet it has robots in it, so why not have modern songs? And that’s a metaphor in itself, wrapped up in the overall theme of the show.” “The show has an anachronistic feel to it,” he explained to Vulture. It might seem both thrilling and a bit disconcerting when you first hear modern music in the Wild West setting, and that’s the point, according to show composer Ramin Djawadi, who also scores the music on Game of Thrones. They are the keys that sound even when Ford isn’t operating them.When you’re watching Westworld, pay special attention to the player piano in the saloon - at key moments, it could kick in a little Soundgarden, Rolling Stones, or even Radiohead for the paranoid androids and human guests inhabiting its world. The image is one of orchestration and the illusion of agency the hosts, programmed to run on “loops,” play what they are programmed to play. Robert Ford-Westworld’s conductor-often plays the piano both in the park and the digital representation of the park's data. The fingers then lift off the keys, the keys play on regardless. Throughout every season, the one consistent image in the opening credits remains the fingers playing the saloon’s piano. Then there’s music’s image-the orchestra, the conductor, the visual order of sound. PAINT IT BLACK WESTWORLD MOVIEIt’s a kind of displacement appropriate for a show that constantly bends and twists its own medium, pulling the rug out from under the reader with alternating timelines and slight-of-hand editing-it’s also a movie that feels familiar (the western), but is not (the sci-fi). PAINT IT BLACK WESTWORLD SERIESThe music suited neither the American Western era nor the future world in which the series takes place. In season 1, the Rolling Stones’ “Paint it Black” orchestral cover overlaid rock and roll with western gun fights and saloon robberies. The use of cover music, for instance, communicates something of the series’ other-worldliness-something familiar and yet not. Produced and aired by HBO, it is based on the 1973 film of the same name (written and directed by Michael Crichton) and, to a lesser extent, the films 1976 sequel, Futureworld. But Djawadi is also able to achieve something more interesting. Westworld is an American dystopian science fiction, neo- Western television series created by Jonathan Nolan and Lisa Joy that premiered on October 2, 2016. Composer Ramin Djawadi ( Game of Thrones) accomplishes the first feat easily enough with the opening ear warm (can you hear it already? Do-do-do-dodododo, do-do-dooo. It both builds the fictional world and communicates something about that world to a viewer. In Westworld, music isn’t just atmospheric it’s thematic. Here are all the songs from Westworld Season 3 so far.The series' original score is composed by Ramin Djawadi, and also features licensed songs.HBO's Westworld has brought itself back online for Season 3. ![]()
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